Maverick director who likes to do things his own way. With a strong rock/punk aesthetic, a willingness to be unorthodox and an excess of talent, Toyoda worked his way up as one of the most interesting contemporary Japanese directors.
Movies
Toshiaki Toyoda is back. The renegade director returns with a film that tackles the current epidemic, though not without some broader stabs at humankind's greed and egocentricity. While there is a rough narrative, The Day of Destruction is a mood piece first and foremost, hammering home its message. This is the Toyoda I love.
The film looks beautiful, the atmosphere is tangible and the imagery unique, offering a surprising spin on what looks like yet another story about one person's distrust of modern society.
I still need to see Hanging Garden and Unchain, that said I believe Blood of Rebirth belongs to Toyoda's best output to date and could be the start of something beautiful.
Blue Spring was the break-through film for Toyoda and Matsuda. This high school punk drama is quite particular to Japan and might come off a little strange at first, but the mix of violence and drama is actually quite poetic and moving. Well acted, superbly directed and to the point, this is definitely a film for the history books.
I'm Flash isn't going to become one of Toyoda's best loved films, but it surely is a great experience that is unique to the skills of the director.
An impressive road trip that combines strong crime elements with light comedy and drama. Toyoda's hand is ever present, the cast does an amazing job, the score is on point and there are plenty of memorable bits. Within Toyoda's oeuvre it may not be a stand-out, then again he's directed so many superb films it's hardly a point of critique. An underappreciated gem.
Toyoda gets a little weird. He strips virtually all narrative elements and delivers a visual album/album film based on the unique collaboration between Koshiro Hino and the Kodo, Taiko Performing Arts Ensemble. Hauntingly rhythmic music combined with fitting visuals make for a riveting experience, but this isn't going to be for everyone.
Toyoda made an impeccable sequel to Miike's first two films.
Toyoda's documentary about the Ogasawara islands. Toyoda spent 5 years on this documentary, speaking with the locals and bringing over fellow artists to create a documentary that isn't purely informational, but is more geared at capturing the spirit of this place. The result is rather long, but satisfying. The start of the documentary is a little slow, with maybe a bit too much human interest stories, but once Toyoda starts to focus more on mood and the natural beauty of the location it becomes an intriguing doc. In a way it feels like a precursor to Shiver, definitely worth a watch if you want to know more about Japanese island culture.Read all
The irony of biopics is that they're usually about people who achieved something unique, stood out from the crowd, challenged reigning ideas, while the genre itself is one of the most rigid and cliché-ridden there is. Don't expect Toyoda to fight those clichés, Crybaby Shottan is a film that colors safely inside the lines. Apart from the soundtrack, Toyoda's signature is completely absent, to the point where I wonder if he made this film just to be able to finance more personal projects. The cast is impressive though and the base quality is there. This is not a terrible drama, but it's predictable and doesn't even attempt to stand out. One of shogi fans and/or Toyoda completists.Read all
