Movies
The best Sjöström I've seen so far. The Wind is a typical late-20s film, one that isn't so much interested in telling an elaborate story, instead, it cares more about communicating a certain mood. I will say that I found a version with a pretty nice and fitting score, which makes these silent film a lot easier to watch. There are some comical bits that feel quite out of place, but the outside scenes with the wind are pretty impressive, especially the more dream-like moments. Lillian Gish is also pretty mesmerizing, combined with the fine (but randomly added) soundtrack it made for a decent watch.Read all
A tough film to judge. My trip through Swedish classic cinema hasn't been very successful so far, and Ingeborg Holm suffers from the same traits that made me dislike the earlier films I tried. The biggest difference here is the score, which is really haunting and emotional. Very modern and tacked on too, making it extra tricky to judge the film. It's a very sentimental film that piles on the misery, but because the score is so beautiful and calming (a big contrast with most scores for silent films) it really balances out the drama. I'm sure that with a different soundtrack my score would be halved, but as it stands the restored version is not that bad.Read all
One of the biggest classics in Swedish cinema, often cited as one of the all-time horror greats and almost always linked to German expressionist cinema. That raised my expectations, sadly I found a very melodramatic and overly sentimental film with some minor fantasy touches. The last person who dies before New Year has to drive Death's carriage for an entire year and collect all the souls of the deceased. David Holm, a drunkard who once led a joyous life, gets hit on the head with a bottle right before the clock strikes 12, his old friend (and the one who led him astray) shops up and transfers the job of carriage driver to David. Some characters are ghostly apparitions, that's about as horrific as it gets. They're not made to be scary though, so the film's categorization is more than a little deceptive. Performances are grossly overstated, the cinematography and sets are rather plain and the endless drama is tiring. Supposedly a big influence on the cinema of Bergman, if I'd known that up front I'd been a lot less excited. Disappointing.Read all
I've been watching quite a few Swedish silents this past year. Though some have been clearly better than others, they're mostly very sturdy films. Films that neatly plow through their narratives, caring less about aesthetics or other cinematic virtues. This early Sjöström is no exception. Like most silent dramas, I feel that the exaggerated performances and constant interruptions of intertitles stand in the way of the enjoyment. Especially when little effort is made to make the film look good. There are a handful of decent nature shots here, other than that it's just a simple plot spread out over 100 minutes of film.Read all
Another Swedish classic from the earliest days of (feature-length) cinema. So far, these films haven't been a big success and A Man There Was seems to be continuing that disappointing tradition. For someone who likes a little subtlety to his dramas, most of these silent film turn out to be a real test of endurance. The scenes at sea provide a nice little diversion and the length of the film is quite short, but the bland plot, over-the-top performances and poor pacing make it quite a chore to sit through. If I've learned one thing from watching these films though, it's that sound is actually quite crucial to good drama.Read all