Pistol Opera is not the easiest of films. You have to accept that the story is a mere hook for some cinematic fun while Suzuki takes a little run with his audience.
One of Suzuki's better films. It's what more poetic than your average biography, leaning on beautiful imagery, a strong soundtrack and some trademark Suzuki weirdness. There's a little too much dialogue at times and the quality isn't entirely consistent, but there's plenty to like here, especially if you're a fan of Suzuki's more experimental side.
Lupin III: Legend of the Gold of Babylon
A typical Lupin adventure, made slightly more interesting by Seijun Suzuki's involvement and a very strong 70s vibe that runs through the film. It doesn't change too much about the core of Lupin though. Silly, over-the top action, a charming set of characters and one-dimensional bad guys. A fun diversion, but nothing more.
A Mummy's Love
Suzuki doing horror is quite new for me, but the man has a knack for the weird so it's actually a pretty good match. The film is short, even so quite a lot happens in a short span of time. The story is mysterious and strange rather than full-on horror, with a little comedy thrown in to balance things out. Surprisingly fun and entertaining.
Much like Zigeunerweisen, this is a Suzuki film that holds a lot of potential, but is way too long and gets a bit sluggish after a while. If Suzuki had managed to cut this back to 90-100 minutes it would've been a much better film, now it took me quite a bit of effort and stamina to reach the end.
That's not to say nothing interesting happens. Suzuki remains his old self and quirky, weird and goofy ideas are littered throughout the film. The biggest problem is the moments in between, the sometimes endless conversations and theater performances that seem to suck much of the energy out of Heat-haze Theatre.
The cinematography is interesting, often very colorful and well-framed. The soundtrack is a bit too dependent on classic Japanese songs and the plot a bit too sparse to fill 140 minutes, but at least Suzuki kept it interesting until the end. It's just a shame that there are too many generic intermissions.
Youth of the Beast
An early Suzuki that show signs of a budding director. The film is little more than a typical Yakuza tale, but a more outspoken set design, decent use of color and the presence of Jô Shishido give the film some extra flair. It's not a bad effort, but a little too basic to be engaging, especially when comparing it to Suzuki's later films.