A very capable blockbuster director. Otomo made a name directing the live-action Kenshin adaptations, but he does also well with tech/supernatural thrillers. There are few fully-fledged masterpieces in his oeuvre, but he rarely disappoints.
Movies
The Top Secret: Murder in Mind
Surprisingly good investigation flick, with some slight scifi touches to make things more interesting. Delving into people's brains to uncover crimes isn't a very novel idea, but the plot packs some nice surprises and the execution is extremely slick. Definitely one of the better films in its genre.
Rurouni Kenshin: Final Chapter Part I - The Final
Several years after concluding his Kenshin trilogy, Ohtomo returns with an extra encore. Two films to add some extra lore to the Kenshin universe, one sequel and one prequel that are tied together. If you've seen the trilogy you should have a good idea what to expect, if you liked the trilogy then make these films a priority, as Ohtomo added a layer of extra polish. There's still a bit too much inconsequential drama for my liking, which also bloats the runtime, other than that this is a near-perfect blockbuster. The film looks lush, the action sequences are thrilling and the pacing is perfect. Ohtomo handles these types of films really well, looking forward to the second part already.Read all
Rurouni Kenshin: Final Chapter Part II - The Beginning
As weird as it may sound to have "The Beginning" as the final entry in a 5-film series of films, it's fitting nonetheless. This is the film that tackles Kenshin's darker past and since he's the hero of the story, it's much easier to have his more ambiguous actions at the very end of the films rather than at the start. The production values of this film are first class, the actors feel comfortable in their roles and the film offers a very solid mix of action and drama. It's a strong remake of the Trust and Betrayal OAV, at the same time it means the film is rehashing familiar territory for me, which did make it slightly less special than it could've been. But this was no doubt a worthy finale to Ohtomo's series of Kenshin films.Read all
A surprisingly low-key and mysterious film from Ohtomo. I've got pretty used to him as a capable blockbuster director, I didn't quite expect this sullen drama with mystery elements driving it forward. He does pretty well in fact, though part of that is due to the very strong cast, who take some pressure off of Ohtomo's direction. With guys like Ayano, Kunimura and Matsuda around, you know the cast is going to do its thing. The pacing is deliberate, the way the story unfolds smart, the cinematography stylish. There's no extra sparkle to make this a real stand-out feature, but Beneath the Shadow has no obvious weak points. Prime filler in other words.Read all
Rurouni Kenshin: Kyoto Inferno
It's been years since I watched the first entry in the live action trilogy, but now that they are continuing the series I figured it was time to get back on board. I'm certainly not the biggest Kenshin fan, but I've seen bits and pieces of the TV series and appreciated the OAVs, so I didn't come in blank. Ohtomo feels well at ease with the material. The fight scenes are impressive, the sets are lush and expensive and Shishio is a pretty bad-ass villain. It's no real surprise that the film doesn't stray too much from conventions, that's what you get with insanely popular IP like Kenshin, but all in all this was a very capable live action adaptation. On to part three.Read all
Rurouni Kenshin: The Legend Ends
The third entry in the live action Kenshin series. Shot back to back with the second film, this film benefits from having the same director and cast present to complete Shishio's story arc. Like the other two films, it's a competent adaptation that doesn't take too many risks, but delivers when needed. The sets look lush, actors are really settled into their characters, and the action scenes are impressive. I'm not sure how faithful this adaptation is to the manga/anime, but I honestly don't care too much about all of that. For non-Kenshin adepts, this is a fun and entertaining series, with The Legend Ends being a perfect finale.Read all
Otomo comes with a sports drama. Go and Shogi are pretty popular in Japan, but they aren't the most cinematic of sports. Even someone like Toyoda burned his hands on the genre, Otomo too struggles to keep the matches interesting, but all in all he did a pretty commendable job. The performances are a little shaky, the overt manga influences don't work too well and the shogi games are slow and tactical, meaning there's a lot of heavy frowning and looking troubled at a shogi board. Otomo finds ways to make the drama a bit more interesting and some matches do get tense, but it's far from his best work.Read all
A crime mystery spruced up with minor sci-fi elements. Though it seems to be an original film, it still felt like a feature episode of an existing TV series. Ohtomo does his best to elevate the material and there are some above average moments, but Platinum Data is not really up there with his best work. Apart from the slightly futuristic elements, this is really just a police/crime flick with its share of twists and turns to keep things interesting. The cinematography is decent but basic, the plot is okay, and the performances are sufficient, but there's nothing here that really stands out.Read all
One of Otomo's weakest films to date. He's known to make big blockbuster epics, so it's not that my expectations were off, but they tend to come with an edge. An edge that is pretty much absent here. The Legend & Butterfly was a bit too soft and sentimental for my taste, especially considering its runtime. The back and forth between the couple isn't too interesting, the battles are very oldskool (they reminded me of Kurosawa's work, which in my book isn't positive) and the runtime is excessive. There are still some interesting scenes and the performances are solid, but Otomo can do a lot better.Read all