Jean-Pierre Jeunet

Jeunet delivers 120 minutes of fine-tuned awe and wonder, wrapped up in an extremely appealing package. Required viewing for everyone who is getting serious about cinema.

Caro and Jeunet make an excellent team and while Jeunet has the skills to put out a great film by himself, Caro's magic touch is dearly missed in his later work.

It's a great little film that survived its first 20 years remarkably well, but it will forever be a film for a niche audience, always on the verge of slipping out of sight.

Think Amélie but with a darker, more adventurous and boyish edge. It's a good 100 minutes of fun in a recognizable but still outlandish version of Paris, hosted by a gang of endearing weirdos.

Jeunet had a lot to prove with this film, coming right after the success of Amélie. A Very Long Engagement isn't quite at the same level, not as joyous or creative as his most famous work, but it is a lovely film that combines war and romance in the best way possible. The cinematography is warm and polished, the soundtrack is moody and stylish, and the cast is a real who's who of the French acting world. Jeunet's quirky style gives the film a welcome dose of flair, and even though it's a tad long, there is so much beauty here that I didn't mind the extra padding. A Very Long Engagement hasn't aged a bit, still as fine as the first time I watched it.

Big Bug is Jeunet by way of Verhoeven. A sci-fi pastiche, but with a quirkier and softer edge. It's an odd film that never really finds its footing, at the same time it's a one of a kind project and a welcome alternative to many other sci-fi films that fail to deliver a more serious take on the subject.