films seen
10
average score
3.15*
nationality
Hong Kong
status
Alive and kicking
more info

A very capable but low-key genre director. One of those people who held their own in the Hong Kong production machine. He never failed to amuse, though never really stood out either. Just avoid his more recent Chinese films.

Movies


The Vanished Murderer

Xiaoshi de Xiongshou
2015 / 120m - Hong Kong
Thriller, Crime
3.5*/5.0*
The Vanished Murderer poster

The Bullet Vanishes

Xiao Shi De Zi Dan
2012 / 108m - China
Action, Mystery
3.5*/5.0*
The Bullet Vanishes poster

Curse of the Deserted

Fong Chuen Gong Yu
2010 / 96m - China
Horror
3.5*/5.0*
Curse of the Deserted poster

Koma

2004 / 88m - Hong Kong
Romance, Horror
3.5*/5.0*
Koma poster

Viva Erotica

Se Qing Nan Nu
1996 / 99m - Hong Kong
Comedy, Romance
3.5*/5.0*
Viva Erotica poster

Kidnap

Bong Ga
2007 / 97m - Hong Kong
Thriller
3.0*/5.0*
Kidnap poster

Bug Me Not

Chung Buk Ji
2005 / 97m - Hong Kong
Romance, Fantasy, Musical
3.0*/5.0*
Bug Me Not poster

Inner Senses

Yee Do Hung Gaan
2002 / 100m - Hong Kong
Romance, Horror, Crime
3.0*/5.0*
Inner Senses poster

Double Tap

Cheung Wong
2000 / 89m - Hong Kong
Action, Thriller
3.0*/5.0*
Double Tap poster

Pretty solid HK action/thriller, with good performances by Cheung and Fong, some fine action scenes and a couple of cool stand-offs. It's definitely not the most original film ever, it's also not the most memorable one either, but it's more than decent filler that doesn't overstay its welcome. A good start of Law's directing career.


Come Back Home

Sou Jiu
2022 / 102m - China
Drama, Thriller
2.0*/5.0*
Come Back Home poster

Oh China, what have you become? Law used to be a perfectly fine director. Not the best in the business, but if you wanted some fun genre fare, his oeuvre was a pretty safe bet. Now that he resurfaced in China, little remains of his former appeal. Come Back Home is a pretty bland rescue flick.

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Donnie Yen isn't a very good dramatic actor, the film is way too sentimental and the drama is pure kitsch. It's a pretty common complaint for contemporary Chinese blockbusters, which irrevocably drags them down. There are some decent rescue scenes and the runtime is on point, but that's not enough to save the film.