Movie top list: 251 to 275
Labyrinth of Dreams
"Even though it's not a typical Ishii film, there are enough stylistic remnants to please the fans while at the same time making sure it's not just a rehash of his earlier films."
Sky Crawlers
"Beautifully animated and scored, sporting a strong cast of characters, an intriguing plot and a fair selection of interesting themes, Sky Crawlers is Oshii's most complete film to date."
In The Mood For Love
"Doyle and Umebayashi do a great job, and Leung and Cheung are stellar, but they cannot hide the fact that Kar Wai grew even more skilled after completing this film."
Suffering of Ninko
"Suffering of Ninko is the kind of film that made me fall in love with Japanese cinema all these years ago. It's different, it's fun, it looks great, and it's overall very creative."
Spring Subway
"Zhang does a magnificent job at both romantic and dramatic angles and delivers a beautifully shot and scored film, revolving around a lovable but ill-fated couple."
Elephant
"Elephant is one of van Sant's most impressive legacies, a powerhouse film that is tailored to perfection and deserves to be seen and to be treasured."
Bunny Drop
"A lovely film with lots to smile about. Wonderfully acted, creatively visualized, aptly scored, and with its heart in the right place, you can't really go wrong with this one."
3-Iron
"3-Iron is a silent journey, following two characters who don't talk to each other directly, but understand each other's feelings all too well. To be a witness to that feels like something special."
1778 Stories of Me and My Wife
"The film looks and sounds amazing, the characters are extremely lovably and while 140 minutes is quite a demanding length for an upbeat film like this, I can't remember checking the clock once."
Punch-Drunk Love
"The camera work, the use of color, the crazy soundtrack, and the quirky characters all indicate that this is not a film made by a director for hire, but conforming to a clear vision."
District 9
"It's a blockbuster, as a blockbuster should be. Near perfect use of CG, superb mech designs, great action scenes, some funny moments, and a premise interesting enough to kick-start the whole thing."
Bronson
"People who like their films just a little different, a bit more daring, and served with a dash of freshness will do well to check this one out. Highly recommended."
Antichrist
"Atmospheric, moody, technically impressive, and pretty mysterious. It's gory and contains a couple of harsh scenes, but never actually shocking (let alone added for simple shock value)."
Picnic
"There is no excess here and Iwai's youthful enthusiasm creates a lovely blend of traditional drama and genre elements, resulting in a condensed bundle of joy."
Tetsuo: The Bullet Man
"It bears the same charm and defects as the first Tetsuo and some very minor extra glitches, but the core is still there. An assault to the senses in pretty much every way possible."
Your Name
"An even higher level of stylistic finish, a 90-minute plus runtime, and an ending that is easier to swallow for mainstream audiences, and it's no surprise Your Name turned out to be a smash hit."
The Mole Song
"Vintage Miike with bazookas and manga-like jumps, crazy Yakuza gangs, and a complete disregard for the normal. There is nobody like Miike when it comes to cranking out entertaining films."
Cannibal
"Cannibal is definitely my kind of film. Incredibly atmospheric, uncompromising, and unique, a film that appears to be easy genre filler on the outside, but packs quite a few surprises."
Haze
"Haze may be a little less refined and accomplished than some of his more famed films, but Tsukamoto did manage to regain that guerrilla charm that made his first films so irresistible."
Killing
"Killing is very much in line with Tsukamoto's more recent work. A little more subdued and in control, slightly more accessible, but in its own way still very punk, very pure and completely unique."
Cloverfield
"Reeves strikes a superb balance between fear, chaos, and mystery, revealing bits and pieces of information at the right time and showing just enough to tease without coming off as cheap or low-budget."
Mandy
"Mandy is a must-see film, especially for people who have a soft spot for horror and experimental cinema, just be prepared for a little unevenness."
Hana and Alice
"All in all, it's a very sweet, very natural, and naive little film that has charm aplenty and feels particularly short for a film that runs well past the 120-minute barrier."
The City of Lost Children
"It's a great little film that survived its first 20 years remarkably well, but it will forever be a film for a niche audience, always on the verge of slipping out of sight."
Where the Wild Things Are
"Flows to the waves of childlike wonder and pleasure. Jonze's execution is flawless, making it a marvelously surreal trip through Monsterland. Highly recommended."