Movie top list: 201 to 225
Revenge: A Love Story
"Revenge: A Love Story lacks any weak points, excels on almost every level and enhances the Cat III rating with some damn stylish film making, setting it apart from its peers."
Sonatine
"The blend of sudden violence with quirky fun forms an explosive cocktail that's not only great to watch, but helps to get a feel for what would otherwise be lifeless characters."
Trava: Fist Planet
"The combination of manic animation and dry, deadpan conversations is no doubt an acquired taste, still, there is plenty left to enjoy if you have a soft spot for animation."
Equals
"This is genre cinema with the signature of an auteur, mood cinema with smarts and depth. Lush visuals, a superb soundtrack and slick performances only make it better."
The Forest of Love
"Sono's latest is another wild experience, full of energetic performances, manic camera work and excessive events. A fever trip that holds you prisoner and dazzles all the way through."
It Comes
"Delivers on its genre premise, is different enough to keep you on your toes and is impeccably executed, with beautiful cinematography, strong use of its score and boasting stellar performances."
Dog Bite Dog
"Cheang flexes his directorial muscles, offering great visuals, an impressive soundtrack and an interesting story that differentiates plenty from standard Hong Kong fare."
The Fifth Thoracic Vertebra
"The Fifth Thoracic Vertebra is the work of someone with a clear vision, the talent to execute it, and the business savvy (or plain relentlessness) to bring a project like this to fruition."
The Grand Budapest Hotel
"There are so many priceless moments, so many memorable scenes, and plenty of amazing details that make the film that much better. The Grand Budapest Hotel is Anderson at his very best."
Takeshis'
"It's a feast of recognition, a wonderful comedy and a completely unique film that could've been made by only one man in this entire world. Takeshis' is Takeshi Kitano."
Genius Party
"Some people fault anthology films for their inconsistency, but I love to praise them for their creativity, as there is more of that here than in 7 full-length features combined."
Citizen Dog
"If you want something light-hearted, fun, and visually exuberant, Citizen Dog is your film. It's a lovely little comedy with a lot of heart, warmth, and plenty of interesting and original ideas."
Getting Wild with Our Monkey
"A film filled with weirdness, humor and strange characters, sporting a great soundtrack and plenty of visual prowess. And somehow nobody seems interested in getting this film out to the West."
Steamboy
"Simple enough to not alienate Western audiences, superbly animated and spilling over with lush details. Every single frame is a work of art, ready for hanging on the wall."
After Life
"After Life is about enjoying and appreciating the good things you have in your life. Warmly recommended for anyone who doesn't mind the modest pacing and styling."
Neo-Tokyo
"A couple of directors come together to give the best of themselves, enjoying the freedom to make something that doesn't necessarily need to meet customer demands."
Mr. Nobody
"There is so much going on, both stylistically and story-wise, that it may be a bit much the first time around. Even so, the film leaves you with a feeling of having watched something very special."
Kamikaze Girls
"A crazy, creative, vibrant film that keeps a pretty strict pace and only slows down a little toward the end of the film. But even then, there's a sprawling finale that pulls out all the stops."
The Box Man
"Great performances, a stylishly gritty presentation, pleasant befuddlement, and plenty to chew on once the credits start rolling. The Box Man has it all."
Porco Rosso
"Porco Rosso remains one of my favorite Miyazaki films. Personally, I prefer his softer, smaller films over his big epics, as they are more aimed at atmosphere and less at getting a message across"
Trainspotting
"Boyle's breakthrough film is pretty crude and edgy, but it's also a cinematic wonderland about a bunch of drug-craving friends, drenched in thick accents and presented with plenty of wit."
Kotoko
"The result is a very powerful and gut-wrenching drama. Being a Tsukamoto film, it may lack subtlety but makes up for that with sheer emotional and visceral prowess."
Breath
"A truly awesome film. Breath may not really my preferred kind of cinema and because of that Ki-duk's accomplishment is all the more impressive, for making me love this film and its characters."
Paco and the Magical Picture Book
"It's overly childish, way too fluffy for its own good, and it's over-the-top maximalist while being completely unapologetic about it, but in the end, it still works like a charm."
Last Life in the Universe
"For a long time, you may wonder what the fuss is all about, but then the end credits start to roll and you suddenly realize what a truly wonderful film Ratanaruang delivered."